Rocking Star Yash Biography
Naveen Kumar Gowda (conceived 8 January 1986), better realized by his stage name Yash, is an Indian entertainer who works in Kannada films. He is the beneficiary of three Filmfare Awards South.
Yash proceeded to set up a good foundation for himself as a main entertainer of Kannada film with the school sentiment Googly (2013), satire show Raja Huli (2013), dream activity Gajakesari (2014), rom-com Mr. and Mrs. Ramachari (2014), activity film Masterpiece (2015) and activity sentiment Santhu Straight Forward (2016). Mr. and Mrs. Ramachari positions among the most noteworthy earning Kannada delivers and gave Yash his most memorable Filmfare Award for Best Actor.
The dish India outcome of Prashanth Neel's 2018 period activity film K.G.F: Chapter 1, which turned into the most elevated earning Kannada film, assisted Yash with achieving cross country acknowledgment in India and win his second Filmfare Award for Best Actor. He won further commendation for his presentation in the continuation, K.G.F: Chapter 2 (2022), which positions as the third most elevated netting Indian film.
Yash advances different social and generous causes through the Yasho Marga Foundation. He is hitched to the entertainer Radhika Pandit.
Early life and TV jobs
Yash was brought into the world on 8 January 1986 in Boovanahalli, a town in Hassan, Karnataka. He was given two names: Naveen lawfully, and his mom's side of the family named him Yashwanth. Yashwanth was picked since they accepted his season of birth celestially required a name starting with the letter ಯ (ya).
With regards to a Hindu practice of giving a youngster a god's designation, Yash was portrayed as Nanjundeshwara ("poison-consumer god", alluding to Shiva). Before beginning his acting profession, he was prompted by others in the business to take on a phase name. Desiring to stand apart with a name that was special for an entertainer in Karnataka, he abbreviated Yashwanth to Yash.
Yash's dad Arun Kumar Gowda was a driver for the Karnataka State Road Transport Corporation and later the Bangalore Metropolitan Transport Corporation, and his mom Pushpa a homemaker. He has a more youthful sister, Nandini, who is hitched to a PC engineer. Yash tried to be an entertainer since early on and effectively partook in theater and dance contests at his school in Mysore. When he was youthful, his family likewise ran an arrangement store, where he would assist regularly.
Yash needed to stop school and seek after full-time acting after level 10 however needed to finish senior school on the interest of his parents. He learned at the Mahajana Education Society for all his school years. His folks at first disliked his acting desires, and his dad maintained that him should be an administration officer. In 2003, they yielded and permitted him to move to Bangalore at 16 years old to deal with a movie as an associate chief, yet expressed that he wouldn't be permitted to return if he returned.
The venture was dropped after just two days of recording, yet Yash chose to remain back in Bangalore. He has expressed he had ₹300 (comparable to ₹940 or US$12 in 2020) with him at the time. He joined a performance center gathering, the Benaka show company, which was shaped by playwright B. V. Karanth. He filled in as a behind the stage laborer and was paid ₹50 (66¢ US) per day.
Yash ultimately turned into a reinforcement entertainer, and in 2004, depicted Balarama leading the pack job for a play. While actually working in theater, he finished his Bachelor of Arts at Bangalore's K.L.E. School, with brain science and news coverage among discretionary subjects. He made his TV debut that very year with the teleserial Uttarayana.
In 2005, he was offered a job in the teleserial Nanda Gokula, where he featured close by Radhika Pandit. He proceeded to show up in a few other teleserials like T. N. Seetharam's Male Billu and Preeti Illada Mele. Once Yash
had gotten a steady pay, his folks moved in with him to Bangalore. During this time, he was offered jobs in seven movies, yet his emphasis on having the content for each film made accessible to him was seen as "presumption from a newbie" and frequently refused.